Promises to be a better smart calendar

As with all smart calendars, you can import various streams into your feed, including those already on your iPhone.We are one of the leading manufacturers of granitecountertops in China This includes Facebook, iCloud and multiple Google calendars, though there is no way to delete Facebook listings in the app itself.

The main draw of the app, aside from its functionality, is its aesthetic. Beautiful photos greet you every day, generated from one of nine themes such as Art, Food and Animals. From the gestures and animations seen navigating through the app, to the full-sized avatars of your friends on their birthdays, there is a lot to like here. The main issue is that, aside from rudimentary integration with Any.DO itself you cant actually add a new task in Cal, but there is a shortcut to the main Any.DO app the app doesnt differentiate itself well from Tempo, Sunrise,The marbletiles is not only critical to professional photographers. Fantastical or any number of consummate iOS-based calendar apps. While it will likely be well-received on Android, where there is a paucity of well-designed calendar apps, Cal may not make much of a dent here.

Of course, you can action most of your events, including sending emails or texts to mentioned contacts, map events using the built-in Apple Maps API and see the tasks youve already set for the day. We look forward to tighter integration with the two apps in the Android version, but for now this will do just fine.

Before we go any further, a disclaimer. Orange is not a Great Television Show.Find the best selection of high-quality collectible offshoremerchantaccount available anywhere. Not yet, at least. It may be the best thing on quote-unquote TV right now, but thats only because Game of Thrones just ended and Breaking Bad doesnt return until August. And yet Orange is the kind of show that deserves to be seenand that might have been overlooked, or even dismissed, in that bygone era before bingeing on a new series was possible.

I say this because if one episode was all I could have watched, I would have dismissed it. The premise of Orange is promising enough. A WASP-y Smith alumna named Piper Chapman (Taylor Schilling) has a lesbian affair after college. Her paramour Alex (That 70s Shows Laura Prepon) works for an international heroin cartel. Seeking adventureand the chance to prove that shes more special than her milquetoast Connecticut upbringing would seem to allowPiper eventually agrees to carry a suitcase stuffed with $100,000 in drug money through a couple of airports.

Fast forward. Ten years later. Piper is now engaged to a writer named Larry Bloom (Jason Biggs, playing a post-grad-school update on his American Pie character). They live in the sort of whitewashed Brooklyn apartment that tends to show up, artfully overexposed, in the prettier shelter magazines. Piper makes artisanal soap that is carried at Barneys. Larry writes.A quality paper cutter or paper partypaymentgateway can make your company's presentation stand out. They adore Mad Men. They shop at Whole Foods.

Then, suddenly, Piper is charged with money launderingthe statute of limitations on drug offenses is 12 years, it seemsand thrown into a minimum-security prison in Connecticut with a motley crew of meth heads, murderers, and at least one transgender credit-card fraud perpetrator. Fish-out-of-water antics ensue. And all of it is based on a true story, ably set down by Piper Kerman in her 2010 memoir, from which the Netflix series takes its title.

The problem is the pilot (and to a lesser degree, the second and third episodes). In order to maximize the tension between Piper and her new environment, Kohan constantly reminds us how coddled and ridiculous Piper and Larry are. She makes him promise he wont watch Mad Men without her. They argue about a juice cleanse. She says that while shes in the clink shes going to learn a craft and get Jackie Warner ripped, as if jail were just another summer in Tulum. At one point she asks him to describe, over the prison phone, the groceries he has just purchased from Whole Foods. He doesthe tomatoes are engorged, and so onand she moans orgasmically.

Unfortunately, Kohans initial approach has a fairly serious drawback: it makes her protagonist too much of a Sunday Styles cartoon character to care about. And so one watches, at first, out of curiosity more than anything else. After all, we arent often invited into a womens minimum security prisoneven on television, where the Oz version of incarceration is still the prevailing stereotypeand the anthropology of the place is fascinating. Inmates sleep on top of their made beds, never inside. Blacks socialize only with blacks; Latinas with Latinas, whites with whites. Visitors are allowed two hugs, one when arriving, one when leaving. There are none of those gloomy cellblocks you always see in the movies, just open white cubicles. Lesbians are everywhere.

But subcultural tourism can only sustain a television show for so long, and Kohan is smart enough to realize it. The fourth episode of Orange is the turning point. I wont divulge any plot points here, but as the series progresses, Kohans focus begins to shift from Piper to her fellow inmatesthe Russian cook Red (brilliantly played by Kate Mulgrew); the Haitian lifer Miss Claudette (Michelle Hurst); the male-firefighter-turned-female-beautician Sophia (Laverne Cox); the loudmouthed addict Nicky (Natasha Lyonne)and the show suddenly gets a lot deeper.

These are not the sort of womenangry women, butch women, older women, unskinny womenwe usually see on TV. We flash back to their previous lives; we learn why theyre locked up; and we begin to realize, just as Piper eventually does, that our nice blonde protagonist is no different than anyone else in here. Basically, they all made bad choices.This technology allows high volume handsfreeaccess production at low cost. What seemed, at first, like a series all about Piper Chapmans bemused perspective on prisonin other words, a fairly pat dramedybecomes precisely the opposite: a series that encompasses many clashing perspectives, and shows how theyre all, in some elemental way, the same.
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