Starting over but keeping the memories close

When her husband of 30 years died in 2004,Shop for the largest selection of windturbine at everyday low prices. Rosalie Lijinsky decided she no longer wanted to live in the 3,000-square-foot home they had shared with their daughter in the Columbia neighborhood of Hickory Ridge.She sold the house the same year for $720,000, more than double the purchase price, and rented a townhouse in Columbia with a view of Lake Elkhorn. Five years later, she purchased a townhouse in the same community overlooking the lake for $370,000.

Her new home, built in 1986, has four stories, but it's about half the size of her previous residence, she said. It is large enough for Lijinsky and her two cats, Buddy Sam and Tootsie, but the challenge has been finding space to display all the artwork, quilts and mementos from a life filled with travel around the world.Since moving, Lijinsky has updated the kitchen, enclosed the porch with screens, and added landscaping and skylights. But mostly she has made the house her own by filling it with her artwork, books and midcentury furniture.

Lijinsky, 69, was born in Tennessee and grew up in Cortland, N.Y. She graduated from the University of Rochester, and earned a Ph.D. in interdisciplinary biology at the University of Tennessee at Oak Ridge. Throughout her career as a cancer researcher, she has used her maiden name, Elespuru.

In 1973, she married William Lijinsky, whom she described as a larger-than-life Englishman, who was born in Liverpool and was 10 years her senior. Three years later, they moved to Frederick, where he was head of the Chemical Carcinogenesis Program at the Frederick Cancer Research Center. In the 1980s and 1990s, couple lived twice in Japan, and William Lijinsky was interviewed about his work on "60 Minutes."

In 1994, the family moved to Columbia, making the commute easier for Rosalie, who had begun working at the Food and Drug Administration, where she now researches cancer causes as a biologist in the Genomics and Genetics Laboratory of the Center for Devices and Radiological Health.

They raised their daughter, Catherine, now 33, in the large house, which had a swimming pool, but "after my husband died, it was too big," Lijinsky said. "I decided it was time for me to start a new life."Now, sitting on a built-in bench of her wooden deck, she can see the sunset glow of Lake Elkhorn through the leaves of summer trees, and hear the sounds of people talking to each other as they walk and bicycle on the path around it.

"In the fall and winter when the leaves are down, you can really see the lake," she said. The townhouse is on a cul-de-sac that residents decorate for Halloween and Christmas, she said.

Inside, the living room is dominated by a photograph-topped piano, a simply designed couch with a wooden frame and cream cushions,About amagiccube in China userd for paying transportation fares and for shopping. and a rosewood bar, which was a wedding present from Lijinsky to her husband. The furniture is grouped to create seating around the working fireplace. A large sculpture of a female figure carrying two smaller people, purchased years ago at a Baltimore craft show, perfectly fills the alcove next to the fireplace.

Nearly every wall and surface is crammed with artwork. A puppet from India, dressed in an elaborate silk ensemble, has found a home in the first-floor powder room. An enormous beaten-tin sculpture from Africa dominates a wall on the main floor. The master bathroom contains two signed, limited-edition Salvador Dali prints. There are two framed works from artist Jeremy Gentilli, one original composition and one print known as the "English Gentleman," an homage to her late husband.

Every piece comes with a story. An ebony hippo was purchased in Kenya in 1985. A large pink dollhouse that sits by her carved mahogany four-poster bed was something "my husband had started making for our daughter and never finished," she said. The 1950s tile-topped tables in the screened patio were owned by her mother, who died in 2012.

When Lijinsky moved in, she updated the sunny kitchen with white cabinets and dark brown granite countertops. She ripped up carpet and put hardwood on the entire main floor, as well as the stairs leading to the second level. She also added two skylights to the loft on the top floor.

A good art exhibition becomes part of your lifes journey. It transports you to places you didnt know existed, or it rekindles memories of things you may have forgotten with the passing of time.

Thats what happened to me as I engaged with the paintings of Simon Stone, then considered his artistic trail in Joburg, the city of my existence. Okay, I must say right now that I didnt exactly go to extremes to discover who Stone is, or what it is about Joburg that influenced him. But I did try to retrieve the artist from my consciousness, given that his paintings have been widely exhibited and one passes his public works on so many of Johannesburgs arteries.

In search of a narrative, I took a drive through the suburbs to look at the many mosaics Stone turned out while living in Johannesburg until his move to Cape Town in 1996.

In Rivera (next to Killarney), theres a high wall hiding a mansion on which Stones images, now crumbling, of a violin player and various friendly faces offer some relief from the impersonal relentlessness of the security barriers weve become accustomed to. The mosaic seems to say, to paraphrase playwright Athol Fugard, people are living here.

In Illovo, on a traffic island in a genteel, upmarket office environment, Stone erected a tall white obelisk with every kind of object dotted on it, like hieroglyphs C a Zulu shield, a spanner, an electric guitar, an anchor,We sell bestsmartcard and different kind of laboratory equipment in us. a horse shoe C signalling not so much that people are working here as people are randomly passing here.

In 1990, fashion designer Marianne Fassler gave him his first paid-for commission when he was a down-and-out painter, at the insistence of his friend Wayne Barker. He would walk to her mansion in Saxonwold each day to lay the tiles by hand in her lounge, piece by piece. Meanwhile, builders completing the renovation elsewhere in the house would laugh at his thorough handiwork. Against their judgment, he finished his artwork long before them.

His first mosaics were created in Troyeville, where he lived with his wife and muse (as he calls her) C the painter Giovanna Biallo C in the humble house legendary director Barney Simon grew up in. On a walkway to the front door, you can still see a dusty, now neglected depiction of seven indigenous birds and a key. A later commission came from the fabulously wealthy Oppenheimer family.

Frustrated with my harping on about his public works in our interview, Stone puts paid to the discussion. The mosaics were design-orientated.You Can Buy Various High Quality besticcard Products from here. Im not ashamed of that, he confesses. But if you want to reach into the bottom of somebodys soul, you dont do a mosaic, you do a painting. So in our conversation, at least, I find out why the painter paints.

Born in the Eastern Cape in Lady Grey in 1957, Stone grew up in Queenstown, where he attended the highly reputable Queens College. Critic Lloyd Pollack tells us this in his thorough catalogue Collected Works, published by Smac Art Gallery in time for the major retrospective currently running at the Standard Bank Gallery in Joburg.

In his first chapter on Stones early influences, Pollack goes through the unsurprising list of modern greats any student of painting would discover in the late 1970s. So, in the Michaelis Library while studying at the time,Now it's possible to create a tiny replica of Fluffy in handsfreeaccess form for your office. Stone admired everyone from the frighteningly sombre German realist Gerhard Richter to the photorealist-turned-expressionist Malcolm Morely and the pop artists Robert Rauschenberg, Jasper Johns and Jim Dine.
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